alienation
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The Glasgow Effect: A Tale of Class, Capitalism & Carbon Footprint
On 4 November 2019, Luath Press published Harrison’s first book. Inspired by her 2016 ‘durational performance’ The Glasgow Effect – for which she refused to travel beyond Glasgow’s city limits, or use any vehicles except her bike, for the whole calendar year – the book provides the complete context for her thinking and action. (Word count: 119,000)
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The Glasgow Effect
The Glasgow Effect was a multi-layered ‘research project‘, which took place in 2016. Its central provocation was that Harrison would refuse to travel beyond Glasgow’s city limits, or use any vehicles except her bike, for a whole calendar year (1 January – 31 December 2016). On 8 January 2017, she gave a talk about the work at the Glasgow Film Theatre. On 4 November 2019, she published a book providing the complete context for her thinking and action.
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Ethics: Extremism & Compromise
A talk by Ellie Harrison exploring the relationship between her life choices and her work as an artist for Artquest’s Practice 360° programme at Camden Arts Centre in London.
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Transition Community of One
Devised in 2014 in response to Glasgow Open House Arts Festival, this special event at Harrison’s flat in Glasgow aimed to expose the paradox at the heart of her lifestyle and challenge her actually existing ‘socialism in one person’. Monthly screenings continued in 2016 as part of The Glasgow Effect.
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Ellie & Oliver’s Long Distance Relationship
For Glasgow Open House Arts Festival 2014, Harrison & her former flatmate Oliver Braid reunited to present two special editions of their popular radio show, as part of three interlinked projects taking place over two weekends, across both their new residences in the west and east of the city.
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Work-a-thon for the Self-Employed
Harrison identifies how she gradually became more politicised as a result of her growing awareness of her own labour conditions and ‘self-exploitation‘ within the post-Fordist world of work. An edited version of this text was published in the ‘Activism‘ chapter of Playing For Time (p.205-206) in 2015. (Word count: 711)
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The Other Forecast
Recorded LIVE in front of a green screen, Harrison’s The Other Forecast offers her summary of the absurd consequences of capitalism, as a warning about the future we are heading towards if the system continues unchecked. Broadcast on the Big Screen at MediaCityUK in November 2013 as part of The Other Forecast project – a collaboration between Harrison & John O’Shea.
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The Artists’ Bond
Harrison is the Agent for this life-long speculative funding scheme for UK-based artists. The Artists’ Bond was established in 2011 by the forty members of the Artists’ Lottery Syndicate (which ran from 1 July 2010 – 1 July 2011), who together chose to re-invest their annual winnings in a new collective venture devised to create a bond between them over the course of their careers.
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Work-a-thon for the Self-Employed
Work-a-thon for the Self-Employed is a world record classification initiated by Harrison in 2011. It aims to encourage isolated freelance workers like herself to come together to attempt to break the record for ‘the most self-employed people working together (on their own individual projects) in the same place at the same time, over the course of a normal 9-to-5 day’.
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Artists Anonymous
Artists Anonymous was a support group for Glasgow-based artists co-founded, coordinated and attended by Harrison over the course of two years. It took place every three weeks at the CCA in Glasgow and aimed to provide a ‘safe space for its members to speak candidly, honestly and confidentially to others about the anxieties and stresses of their professional lives’.
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Artists’ Lottery Syndicate
On 1 April 2010, Harrison launched the Artists’ Lottery Syndicate forming a forty-strong collective of UK based artists joining forces to play The National Lottery over the course of a year, with the hope of hitting the jackpot. The Syndicate ran from 1 July 2010 – 1 July 2011 and was a fun and social group activity, which operated as a gentle critique of artists’ relationships to the economy, as well as a potential money-maker.
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Work With Me
Work With Me is an international campaign to help find a long-term collaborative partner for Harrison. Read all about Harrison’s ambitions and desires, her influences and expectations for art and her outlook on life. Peruse the ‘testimonials’ written by a range of Harrison’s previous collaborators, friends and family members including Jon Burgerman, Anne Harrison, Bernard Harrison, Helen Jones, Sally O’Reilly, Niki Russell and Jennie Syson, and then decide whether you’re right for the job – or if anyone is for that matter.
Project website